Introduction to Digital Photography/Sunday, September 23/11-2pm $30
Ages 16+, Digital SLR camera required
Explore the beauty of Gaiety Hollow in Fall while you learn the basic functions of your digital camera. Photographer Jesse Farrah will cover ISO, aperture, shutter speed and how they relate to one another. The class will touch on composition and subject matter and the elements of what makes a great photo.
Ages 16+, Digital SLR camera required
Explore the beauty of Gaiety Hollow in Fall while you learn the basic functions of your digital camera. Photographer Jesse Farrah will cover ISO, aperture, shutter speed and how they relate to one another. The class will touch on composition and subject matter and the elements of what makes a great photo.
Botanical Drawing with Graphite and Colored Pencil/Saturday & Sunday, October 6 & 7/10am-4pm/$250 for two days
Renowned artist Janet Parker will instruct students in techniques for drawing botanical subjects, realistically, in graphite and colored pencil.
Depending on the scale of the chosen subject and the student’s aptitude, students may or may not leave with a finished piece, but will have the necessary skills to complete their work at home.
Renowned artist Janet Parker will instruct students in techniques for drawing botanical subjects, realistically, in graphite and colored pencil.
Depending on the scale of the chosen subject and the student’s aptitude, students may or may not leave with a finished piece, but will have the necessary skills to complete their work at home.
Garden-inspired poems from visits to Gaiety Hollow by the Willamette Valley Poetry Society
Elizabeth and Edith of Gaiety Hollow, 1932
~ Elizabeth Lord (1887-1976) and Edith Schryver (1901-1984).
~ Gaiety Hollow: their home, the house placed to enhance
their garden, one of 250 they designed together.
I.
Elizabeth, taller, might’ve reached the breakfast preserves, hung linens
on the clothesline. Perhaps Edith set their table beneath the window,
early northern light giving shape and color to backyard blooms,
paths dividing into rooms lilac, camellia, olive-yellow, thornless rose,
grape vine, pink clematis entwined atop the pergola’s beams; a shaded, backless
bench tucked beside small trees and ferns, a bright green riot;
a friendly garden shed within a separate, sunlit space, for tools and rakes
to tend and mulch the plants. The yard there, rubbed down to earth--
by working men? or, by the owner-women, in slippers and peignoirs?
II.
Just next door, Elizabeth nursed her ailing mother. During years
of witnessing decline, did the garden’s birdsong and promise
bring, with every glimpse, a released breath?
When Elizabeth’s turn for help arrived, did Edith offer care? We only
speculate, the women having burned their personal papers. The full account
is lost to us, a stony pact within their legacy, their era guarding privacy.
III.
We have been told of Edith’s way, when aging and alone: she gazed at
the garden from her kitchen-window seat … perhaps, at the hollyhock,
stalk of creamy bells—in Edith’s room of memory, a taller, more precious bloom.
Ada Molinoff
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
Elizabeth and Edith of Gaiety Hollow, 1932
~ Elizabeth Lord (1887-1976) and Edith Schryver (1901-1984).
~ Gaiety Hollow: their home, the house placed to enhance
their garden, one of 250 they designed together.
I.
Elizabeth, taller, might’ve reached the breakfast preserves, hung linens
on the clothesline. Perhaps Edith set their table beneath the window,
early northern light giving shape and color to backyard blooms,
paths dividing into rooms lilac, camellia, olive-yellow, thornless rose,
grape vine, pink clematis entwined atop the pergola’s beams; a shaded, backless
bench tucked beside small trees and ferns, a bright green riot;
a friendly garden shed within a separate, sunlit space, for tools and rakes
to tend and mulch the plants. The yard there, rubbed down to earth--
by working men? or, by the owner-women, in slippers and peignoirs?
II.
Just next door, Elizabeth nursed her ailing mother. During years
of witnessing decline, did the garden’s birdsong and promise
bring, with every glimpse, a released breath?
When Elizabeth’s turn for help arrived, did Edith offer care? We only
speculate, the women having burned their personal papers. The full account
is lost to us, a stony pact within their legacy, their era guarding privacy.
III.
We have been told of Edith’s way, when aging and alone: she gazed at
the garden from her kitchen-window seat … perhaps, at the hollyhock,
stalk of creamy bells—in Edith’s room of memory, a taller, more precious bloom.
Ada Molinoff
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
Beacon
A coral rose stationed
ten inches above the soil
beckoned to me
through leaves of cobalt,
viridian and chrome green
gathered my gaze past paving bricks
and sweet alyssum and purple veronica.
All else in shadow. When I sold our house thirteen years ago and vacuumed the living room carpet for the last time, I found a small red Lego against the baseboard and picked it up, knowing my future self would need that piece of the past, viewing the scene as if through water, as if through mist, as if on the screen of another mother’s film.
August with no rain only feathers
scrub jay, junco, chickadee, crow.
All hushed with historic heat.
Three spent leaves of yellow-brown
looked on as I painted that rose,
that beacon in times of doubt
tints of quinachridone and vermilion,
red-orange radiant in the garden.
“I’m glad I have a mother like you,” Elliot said yesterday from his swivel stool in the kitchen. I took a moment to think. “Thank you. I work at it.” “I know,” he said. I added, “And I haven’t always been like this.” “I know,” he said again. And his beacon blue-green eyes looked into mine. We have had our shares of darkness and anger, shadow and sorrow.
A white-crowned sparrow tilted its head
trilled its beacon song from the camellia tree
s water trebled behind a green lattice fence.
raffic shrilled and screamed on Mission Street
around the left side of the house. Then stillness.
ink snapdragons conversed with chickadees
dee dee dee as the three yellow leaves looked on
and the coral rose, poised and observant,
ignaled its beacon prayer.
C. Herron, 2017
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
Gardening
The earth breathes
It inhales and exhales
I breathe with it
My fingers rake through the dirt
Around familiar plants
Mallow, sage, foxglove, lavender, hollyhock
My friends
The earth below my knees
Expands, contracts, rises up and sinks
Ever in movement
I float on its surface
Fingers raking its soil
Familiar movements
That nurture day lilies, phlox, Joe-Pye, asters
Franca Hernandez © 2016
A coral rose stationed
ten inches above the soil
beckoned to me
through leaves of cobalt,
viridian and chrome green
gathered my gaze past paving bricks
and sweet alyssum and purple veronica.
All else in shadow. When I sold our house thirteen years ago and vacuumed the living room carpet for the last time, I found a small red Lego against the baseboard and picked it up, knowing my future self would need that piece of the past, viewing the scene as if through water, as if through mist, as if on the screen of another mother’s film.
August with no rain only feathers
scrub jay, junco, chickadee, crow.
All hushed with historic heat.
Three spent leaves of yellow-brown
looked on as I painted that rose,
that beacon in times of doubt
tints of quinachridone and vermilion,
red-orange radiant in the garden.
“I’m glad I have a mother like you,” Elliot said yesterday from his swivel stool in the kitchen. I took a moment to think. “Thank you. I work at it.” “I know,” he said. I added, “And I haven’t always been like this.” “I know,” he said again. And his beacon blue-green eyes looked into mine. We have had our shares of darkness and anger, shadow and sorrow.
A white-crowned sparrow tilted its head
trilled its beacon song from the camellia tree
s water trebled behind a green lattice fence.
raffic shrilled and screamed on Mission Street
around the left side of the house. Then stillness.
ink snapdragons conversed with chickadees
dee dee dee as the three yellow leaves looked on
and the coral rose, poised and observant,
ignaled its beacon prayer.
C. Herron, 2017
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
Gardening
The earth breathes
It inhales and exhales
I breathe with it
My fingers rake through the dirt
Around familiar plants
Mallow, sage, foxglove, lavender, hollyhock
My friends
The earth below my knees
Expands, contracts, rises up and sinks
Ever in movement
I float on its surface
Fingers raking its soil
Familiar movements
That nurture day lilies, phlox, Joe-Pye, asters
Franca Hernandez © 2016